Yo, Adam.

Yo.

Guess what?

What?

Today there's none of this.

No jazz solos. I'm Adam Anus.

And you're listening to the You'll Hear podcast.

Music advice coming at you.

Oh, back to the original. I really like that one, though. Really? I like that one a lot. We're sticking with it. If you like it, we're doing it. No, I react very positively to music advice coming in. First of all, the coming at you is, it's a hallmark of the channel. It's a little aggressive, but it is. No, but it is. It's like a freight train. It's like an out of control, musical, theoretical, conceptual train flying at you. Also, our original tagline of daily jazz advice coming at you. It's too specific. It's too... It's too... Talk about coming at you every day. And jazz only? I mean, come on, man. No. We're bigger. We're people of the universe. We're not, it's not limit ourselves to these arbitrary, uh, cartoonish labels. Exactly. And today this is especially appropriate because we are focusing on, first of all, my name's Peter Martin. I already Adam Maness. I already did that part, but okay, sure.

Oh, did we?

That's right, we kind of did. But we wanted to do a special welcome because we have a bunch of new listeners, it being the new year. Apparently, this podcast is, people are approaching it much as they do a gym membership. Okay. And that they like to sign up at the beginning of the year. It also sounds like we're in a dental office again,

but some drilling up there.

They probably can't even hear that though, honestly. and that they like to sign up at the beginning of the year. It also sounds like we're in a dental office again with some drilling up.

They probably can't even hear that, though, honestly.

But yeah, so welcome into the new listeners.

We're just here talking about music.

And we do often talk about jazz, but we don't always talk about jazz like today.

We are specifically excluding jazz.

Yeah.

So this drilling up here, it kind of sounds like a, does it sound like a Roland synth bass almost? Yeah, it does. It has like a very like square wave kind of vibe. Interesting. I think to a lot of people, kind of the drilling that you would feel or hear at the dentist office is the way a jazz solo feels to them. So this is probably good.

Well, I'll tell you what, Peter, another thing. We're going to drill down on some great solos today. Oh, come on now. How about that for a little transition there? We are going to start with one of my favorite solos of all time. Okay, let's start with one of yours. How about that? Okay, this is the great Steve Piccaro.

Yes.

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