Hello, how you doing? Welcome along to soundtracking with me, Edith Bowman. It is lovely to be in

your company. How has your weekend been? I'm recording this on a Sunday evening, just by the

Christmas tree up. Yes. I made a Christmas wreath with my friend Gemma yesterday whilst we

listened to Christmas songs.

I'm ready for it. I want to embrace it. I'm stepping into Christmas. Maybe you're not. That's fine.

We're running a little competition actually, thinking of ourselves as our very own little Father Christmas,

in that we have five vinyl copies and five CD copies of Johnny Greenwood score for one battle after another to give away.

So if you'd like to win one of those as a little Christmas present from us to you,

or maybe you want to give it to someone else, then you need to head over to our socials.

We're at Soundtrack in UK.

And I've done a, I think it's quite funny,

little video on how you could win yourself a copy of either vinyl or CD.

So head over to our Soundtracking UK socials on Instagram

to find out how you can win and good luck. I hope you

enjoy my little video. Anyway, our latest guests on the podcast. I'm really thrilled about this because

we had the chance to speak to the composers. When did we speak to Kyle and Michael? That's ages ago.

I think I actually say it in the interview, but it's so

nice to have the Duffer brothers, Matt and Ross, the guys who created this whole epic

Netflix sensation on the show to talk about it. You know, it's there, they've just entered its

fifth and final season and I'm sure you're well aware that it's drawn to a close

which is really sad but it's been a hell of a journey hasn't it? To summarize very briefly for

those of you who have not stepped into the Stranger Things world, tells the story of a kind of

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