Hi folks. How you doing? I'm saying this with a slight whisper and hush to my voice.

Everybody's gone to bed. And I know they probably can't hear me, but just in case.

Welcome along to another episode of soundtracking with me, Edith Bowman. I hope you've managed to

enjoy some form of film viewing, well, since we last spoke,

which was Monday. There is so much, so much great stuff around to either get along to the

cinema to see or to enjoy from home. Loads of stuff going up on Netflix

like House of Dynamites up there.

Frankenstein's just gone up.

So you're kind of spoiled for choice, to be honest,

whether or not you fancy venturing out to the cinema,

which please do if you can.

Our latest guest, in a long line of bonus guests on soundtracking,

is none other than Ronan Day Lewis,

who joins me to discuss his directorial feature debut, Anemone, which he co-wrote with his dad, Daniel Day-Lewis.

The film stars Daniel, Sean Bean, Samantha Morton and those of other great performances.

And it tells the story of two strange brothers who meet at Daniel's character's cabin in the north of England.

And he's kind of taking himself off grid, so to speak.

And that is because of trauma that has been caused by various things as will be revealed and explored within the narrative of the film.

Secrets, resentment, lots of things come to light as these two men

refined each other and decide to communicate and share truths, which is not always easy, but sometimes

it's necessary. Just before we get to Ronan though, I wanted to share a little clip of Guillermo del Toro,

who is our next guest on soundtrack

...