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All right, one last stop off for Ship to Shore Fono with Sweet Good End.

This is one of the all-time, great RPGs, it's a little slight, and it's kind of like

a prologue to one of the real great RPGs of all-time, which was Sweet Good End 2, but we're

just going to talk about Sweet Good End 1 or Ginzo Sweet Good End if you're nasty.

The soundtrack I think actually punches above the game's weight class.

It's one of those cases where the game is pretty good, it has a lot of good ideas, it's

very breezy, but the soundtrack is just so, so much better than the actual RPG itself

that, you know, it just, it really elevates the material.

This game has that distinctly mid-1990s Konami sound that you get in games like police

knots and vandal hearts.

It's, there's a lot of reverb, but there's just something very distinct about the instrumentation

that the composer's used.

The composer's being Konami Kukaya Club, the mysterious entity that seems to have composed

all of Konami's music.

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