This was the backup version, wasn't it?

This was the backup version, wasn't it?

Linoleium knife.

Okay, so here's the thing.

This has now happened twice.

Yes.

For this theme song?

Yes.

And then also for the Linolium Nights theme song.

Right, which is a different piece of music. And I'm wondering if the player is dying? Is the player dying? Well, don't throw the disc out. Howard has offered to make us new ones. So if the new ones also don't work, then we know it's time to kick this. I don't know. You know, I really like these. I like the glitchy versions. I'm sort of into it. I don't think it's fair to our friend Blue who composed this for us. But it's still fun. He did not sign off on the remix. My name's Dave White. I'm a film critic for the rap. This is, I'm Alonzo Duraldi. I'm the film critic for the rap and...

You're the film reviews, editor for the rap. And the main film critic for the rap. Come on.

Sure. Say all of the beautiful things that you are. And I'm the co-host of the Breakfast All Day

Maximum Film and sometimes, like the Hallmarked podcasts.

And this is Lenolium Knife, by the way. I don't think we ever said that part. I did. I said linoleum knife. That was the first thing I said. Okay. It's a podcast of the cinema. Stop being discombobulated. If you're joining us... Get ready to be great at being a friend critic. Well, I don't go in for experimental music the way you do, so it's got me off my game.

Anyway, we're film critics, and we're husbands, and that's the point.

That's the plot of this film.

Yes.

Let's just tend to some piece of business, production business, before we continue.

I have a great idea.

What's that?

And I want to say it now so that I don't forget it.

Okay.

...