You know, I guess I think I've always been a professional critic, you know, or some sort of professional

appreciator or something. And then. Now this is serious business here man.

Putting on a great show is the most important thing you can do.

One great rock show can change the world.

Most rockers know what the Gibson Lespole or the Fender Telecaster

are brought to rock and roll, but the Moog synthesizer is every bit as important.

I'm Jim De Regattis.

And I'm Greg Kot.

We'll take a look at the history of the Moog synthesizer, and then we'll review the

new collection of Kurt Cobain's home recordings.

That's all coming up on sound opinions and Greg like a lot of musicians Kurt Cobain left a mountain of

cassettes behind him on one he had written scraps and insignificant

discarded material under no circumstances release after my death.

Yet here we have a record.

Montage of heck, the home recordings.

We're going to dive into that later on sound opinions. Stay find a bit. You're gonna. You're never bad.

Flash right. You're listening to sound opinions and that's Parliament with flashlight from

1978 Bernie Warrell. There are analog scents all over that song. Specifically, that unforgettable baseline is played on the mini Moog synthesizer.

When we think about analog since, Moog's probably the name that comes to mind immediately for a lot of people and for years the

company's flagship has been the mini moag Voyager a slightly modernized version of

the same keyboard on that parliament track you know Trent Reznor in an interview recently said the mini mogs the archetype of what a

synthesizer is and should be.

...