5 Classical Pieces That Will Enhance Your Jazz Playing - #29
You'll Hear It: Full Album Deep Dives with Jazz Musicians
Peter Martin
4.9 • 770 Ratings
🗓️ 28 February 2018
⏱️ 9 minutes
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| 0:00.0 | I'm Adam Manus, and I'm Peter Martin, and you're listening to the You'll Hear It Podcast. |
| 0:32.1 | Today we're going to be talking about five classical pieces that will enhance your jazz playing. |
| 0:36.2 | Awesome. So this is five pieces of classical music, I guess. |
| 0:40.3 | I mean, I'm assuming, unless we're going to start an art podcast next, which you could. That's right. |
| 0:41.3 | I want you kick it off, Adam. |
| 0:43.3 | Yeah, so let's start with Chopin etudes. |
| 0:45.3 | Now, most pianists are going to be kind of familiar with this, I hope at least. |
| 0:49.3 | These are some of the best etudes ever written for the piano. |
| 0:53.3 | I mean, it really is a great workout if you can get these up to speed. |
| 0:58.1 | You know, you're actually playing some real piano. |
| 1:00.7 | And on top of that, they are brilliant to listen to. |
| 1:03.8 | I mean, they're varied and the music is so incredible. |
| 1:08.3 | I mean, it's really the mark of one of the great composers that they make |
| 1:12.0 | A-Tudes sound that musical. Yeah. Yeah, and I think that all these are going to be a little |
| 1:18.1 | different, but that one, as you said, specifically for pianist, I mean, every one of those A-tudes |
| 1:23.5 | addresses a specific part of the piano technique that applies to really any style because |
| 1:28.8 | it just applies to how you are how we are able to control or not control the |
| 1:34.7 | instrument and so in jazz and an improvisation so important to be able to |
| 1:39.2 | control the instrument I love the Mauricio Polini recordings of those by the |
| 1:43.4 | way amazing okay next I'm gonna go with for number two I love the Mauricio Polini recordings of those, by the way. Amazing. Yeah. |
| 1:45.4 | Okay, next, I'm going to go with, for number two, La Vals by Ravel, wonderful French composer. |
| 1:52.5 | And, I mean, this is a piece that I've heard quite a few times, and to be able to hear it live, you know, from the standpoint of the harmony and the orchestration and the form and |
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