4.8 • 3.7K Ratings
🗓️ 4 January 2024
⏱️ 45 minutes
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| 0:00.0 | It's 9 p.m. on a Wednesday night in New Orleans and I'm sitting in a bar |
| 0:06.6 | sipping a hard seltzer and watching a small fireplace crackle and pop. I'm here to see a man. But the bar is crowded and loud, and I don't |
| 0:16.5 | know if he'll actually come out tonight. In the back corner of an area that looks like |
| 0:21.0 | a cobbled addition to the place. A piano player sings Billy |
| 0:24.9 | Joel and Elton John beneath strings of blue Christmas lights, and some people sing along. |
| 0:30.5 | And as I look around the crowd of mostly tourists, filling every |
| 0:35.3 | available seat, I start to worry he'll be a no-show. The man I'm here to see |
| 0:41.7 | isn't really one for crowds. |
| 0:44.0 | Even though there's portraits of him on the walls of this establishment, |
| 0:48.0 | he's hardly ever here. |
| 0:50.0 | Also, he's been dead for 200 years. |
| 0:55.0 | The bar I'm in is called Jean Lafitte's Blacksmith Shop Bar, |
| 1:00.0 | and it used to belong to a violent 18th century French pirate named Jean Lafitte, |
| 1:06.0 | and his ghost is said to haunt the premise. |
| 1:09.0 | It's one of the oldest surviving buildings in New Orleans. The bar itself was built in the late 1700s as a private |
| 1:16.8 | residence and hasn't changed much since then. As I get up to walk over to the man playing tiny dance around the piano, I can feel the uneven |
| 1:26.5 | foundation under my feet, adding to the effect the one seltzer had on me. |
| 1:32.1 | Even the fireplace in the center of the room is brick and looks ancient. |
| 1:36.9 | And I wondered to myself if Jean Lafitte ever tended to it when he was using this place as a front |
| 1:42.3 | for his illegal smuggling operations. |
| 1:46.1 | There's a reason Jean Lafite is still talked about today in New Orleans. |
| 1:50.4 | He was a legend, even in his day. |
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