4.9 • 1.7K Ratings
🗓️ 31 October 2022
⏱️ 199 minutes
🧾️ Download transcript
If you made fun of us for going long on a previous Andor episode, well the joke is on you, because you should've waited for this week. In what can only be described as (minute-for-minute and pound-for-pound) our MOST five star runtime episode yet, we delve into all manner of bleak material. There's prison labor. There's a bitter-yet-functional marriage. There's a snare slowly tightening around a rebellion so nascent that even two of its most important leaders can't come to terms about working together. And there's a little terrible man who is, one bad day at a time, learning that the world doesn't work in the the facile, cartoonish way he dreamt it did.
NEXT TIME: Andor Episode 09
Show Notes
Hosted by Rob Zacny (@RobZacny)
Featuring Alicia Acampora (@ali_west), Austin Walker (@austin_walker), and Natalie Watson (@nataliewatson)
Produced by Austin Walker
Music by Jack de Quidt (@notquitereal)
Cover art by Xeecee (@xeeceevevo)
Click on a timestamp to play from that location
0:00.0 | Let us return once more to a more civilized age, a Star Wars podcast. |
0:13.1 | I'm Rob Zachney, joined by Alia Capora, Austin Walker, and Natalie Watson. |
0:17.7 | Right now we are continuing with our weekly coverage of Andor before we resume our analysis |
0:21.6 | of the Clone Wars, supported as always by our listeners at patreon.com slash civilized. |
0:27.6 | Hey gang, I am hard pressed to name the bleakest thing I saw in Narcina 5, and I'm just curious, |
0:35.0 | what was your biggest gut punch? |
0:38.9 | Oh, it's the biggest gut punch. |
0:40.8 | I, there's a lot, there's, I, okay, here it is, it's actually, and this is like a small thing, |
0:46.5 | because it's not a, it's not a, there's so many real material things that are brutal about |
0:51.4 | this episode of what we learned about in the world. But Andor is so lost, he's so alienated, |
0:58.6 | he's so confused, he's quiet, he doesn't even feel like he can talk his way into or out of anything, |
1:04.8 | he's not running a game, he's not running a scam, he has no angle, this is all new to him, |
1:10.4 | and it's hard to see this character who has always been, he's not like a brilliant thief. Do you |
1:18.2 | know what I mean, we're like, this is not loop on the third, you know what I mean, he's not like a |
1:21.7 | wisecracken, you know, anti-hero, like, he's incredibly observant. And at being, looking like he can |
1:31.8 | find the way out or through, he's always looks like he's, he's, he's found the exit, he has his eyes on |
1:37.6 | the door, right? And there ain't no door. And he, it shows on his face, and in these scenes, he seems |
1:44.0 | awkward and confused, and I fear from my boy. I do, I do too. I mean, we know he gets out. |
1:53.2 | But you can be there for six years. Thank God, like, we don't have fear in our mind. |
1:59.4 | But yeah, we just have the Palm certainty. Right. The, I think for me, I will just say this, |
2:08.8 | when Brasso and Bix are talking about Marva privately, and the discussion about |
2:22.4 | she's an elderly relative, but technically she's not a relative. What are we supposed to do here? |
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