Where the Secretary and I have a very profound difference.

In the last debate, I believe in her book,

very good book, by the way, in her book and in this last debate,

she talked about getting the approval or the support

or the mentoring of Henry Kissinger.

Now I find it rather amazing, because I happen to believe that Henry Kissinger. Now I find it rather amazing because I happen to believe that Henry

Kissinger was one of the most destructive secretaries of state in the modern history of this country.

I am proud to say that Henry Kissinger is not my friend. I will not take advice from Henry Kissinger. And in

fact, Kissinger's actions in Cambodia, when the United States bombed that country overthrew

Prince Ciener, created the instability for Paul Pot and the Khmer Rouge to come in, who then

butched some three million innocent people,

one of the worst genocides in the history of the world. So count me in as somebody who will not be

listening to Henry Kissinger. Welcome to Michael and us. I'm Will Sloan, here as always with.

Luke Savage, welcome back, everyone.

Well, a sad occasion. We're pouring one out for a legend.

Victor J. Kemper, the prolific Hollywood cinematographer, died at the age of 96.

I mean, along with Vilmo Zygman and Laslo Covacks, this cameraman, I think, really helped define

the look of 1970s American film. With such films

as Sydney Lumet's Dog Day Afternoon, Elaine May's Mikey and Nikki, John Cassavetti's husbands,

and Peter Yates's The Friends of Eddie Coyle. As his career went on, he developed a flare for

comedy. He was the cameraman on National Lampoon's Vacation, the Steve Martin starmaking film The Jerk,

Tim Burton's directorial debut, Pee Wee's Big Adventure, Tommy Boy with Chris Farley and David Spade,

...