4.8 • 3.8K Ratings
🗓️ 22 September 2025
⏱️ 28 minutes
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Marty Solomon and Brent Billings continue the analysis of Season 5 of The Chosen with a discussion of the second episode.
The Chosen (TV Series) — Wikipedia
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| 0:00.0 | This is the Baymaw podcast with Marty Solomon. |
| 0:08.2 | I'm his co-host, Brent Billings. |
| 0:09.6 | Today we continue our analysis of season five of The Chosen with a discussion of the second episode. |
| 0:16.3 | House of Cards. |
| 0:17.4 | Okay. |
| 0:17.8 | Yeah, House of Cards. |
| 0:18.6 | I remember that title. |
| 0:19.5 | Yep. |
| 0:19.8 | We keep making our way into season five. Not only particular comments. Okay. Yeah, House of Cards. I remember that title. Yep. We keep making our way into season |
| 0:21.7 | five. Not only particular comments to say about this at this point. So I guess we just hit that |
| 0:28.2 | spoiler horn and get right into it, Marty. We're all used to it now. We just don't have much to say. |
| 0:32.0 | We just spoiler horn away. So we begin again at the Passover table. |
| 0:41.4 | We have Luke 22 happening here. |
| 0:45.9 | Still no Judas present at this point. |
| 0:48.5 | I think they all go backwards. |
| 0:49.8 | I don't know. |
| 0:50.3 | I was going to say, I was going to kind of wait maybe for the next episode to make this point. |
| 0:54.1 | I've watched, at this point as a record, I've watched a few more. |
| 0:56.4 | But they are working backwards through the dinner. |
| 1:02.0 | And it correlates with the narrative that they're working forwards in the main body of the episode, which is pretty fantastic. |
| 1:10.4 | I don't know if somebody made an observation. |
| 1:30.4 | I've had a gazillion people ask me, like, is there a chasm? Because they're going backwards, but the story goes forward. Is there something in the text there? Yeah. And now it makes sense. I'm like, why has everybody asking me that question? And I hadn't watched enough episodes for that to make sense. But it is very, very clever. just as a design is very, very interesting. |
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