Two grizzled podcasters stare out at a grey sea and four by three aspects ratio.

Good crop today, I don't know, I was trying to do like a lighthouse thing.

Oh right, right, right. It's I mean bad luck to podcast about a seabird. I don't know.

You like my lobster? You like my lobster? Yeah, yeah, I didn't, you know, it's fine.

Lobsters fine. It's fine. It's mostly a conveyance for the butter and also world both slowly going

insane on this island. But I know that wasn't it. We'll find it because I will say I'm really

happy that we found on Kings of King that it starts with a song parody almost, you know, 80% of the time

at least. Right. And that's a good thing. And I didn't want to just use that. I don't want that

convention to bleed into this show, but haven't thought about it yet, but we're better than this.

You're better than this. Yes, we'll think of something better next time. We'll keep trying

until Andersson's has its own thing. That wasn't as you got evolved. Yeah, you as an artist

have to evolve. And I support you in this. But forget that. Pretend the podcast started right now.

Hey, everyone. It's me, Michael Swame sitting across from my best pal here. Hey, I'm I'm a

bet person. And this is Andersson's where we chronologically cover the films of both PT and

Wes Anderson. They solely on that flimsy pun. And it is a deep dive podcast in the vein of a

book club, but about movies where we close read and try and mind these films for all their worth.

I'm Michael Swame now. No, I'm just trying to make it worse or worse.

And yet today we're talking about Wes Anderson's first feature film, Bottle Rocket,

based on an expanded short of the same name, which we won't be covering. And I didn't watch.

And I also hadn't seen Bottle Rocket before till today. And Abe, I got to say, I got some

problems with this movie, Abe. Yeah, you know, starting to feel like you were right when you were

like, it should just be about PT Anderson. Okay, okay. I wanted to worry. I'm glad you said this.

...