The

The Hello and welcome to the Kup for Not podcast. I am Mark Storles. Moody's. Loomys always is. Rob Morphy. Robert and. Crit. Oh, I love it. I can't wait until it's like half a syllable. Yeah, I'm just going to say her in silence. I hope he does like a whispering wind. Just staring into the camera. The artist formerly known. You get aftermath when you get, oh, the cold wind. The spaghetti western cold wind. The Italian post-apocalyptic wind. Oh, it's so relevant. I know. Let's all do it. No, I can't. I just, I can't do it. Your heart's not in it. It's just not there today, unfortunately. Yeah. It's hard.

When I first got like movie maker when we, you know, Chris and I, we'd all be fucking round like with just videos we took or videos we found on the internet or doing slide shows to great hilarity in my opinion, which we still had it. The Ken Burns. Oh my gosh. Just fucking like a slideshow. from our tension.

Yeah.

Dude, we played it for everybody

and we were all dying.

Granted, we were drunk.

But these were the fun... Burned. Oh my gosh. Just fucking like a slash show. From our tent show. Yeah. Dude, we played it for everybody and we were all dying.

Granted, we were drunk.

But these were the fun things we used to do in the early days of editing stuff.

And the first time I was able to lay like a wind sound effect on a shot.

I was like, oh, yeah.

That changes everything.

Oh, yeah.

I was like, it's here. I can remember like in fucking an I movie figuring out how do like the swipe. Oh, that was great. The transitions. And it was the one from Star Wars too. They had the diagonal. Oh, I am George Lucas. Chris made me a CD of all these great musical things that he did in this sort of a fun minimalist post carpenter, but definitely all Chris. Oh, yeah. Like Guy Gann and a bunch of other ones. Yeah. And I would just take like this like five tracks he gave me and I would take turns putting each one in like, ooh, I like this tone. Oh, this changes the thing. Oh, this is ominous. Oh, look how cheerful this makes. I would just do that for hours. Yeah. Well, that was for the movie. That was for the movie. That was for 11. Yes, that was for 11.

Yeah. Well, that was for the movie.

That was a fucking phenomenal composer.

That was for 11.

Yeah, because you were still putting it together. So I'm like, if I can find the footage, maybe I'll finish that someday. I've, you just got to find that. I have a lot of it. Yeah. But you got to find it. You gotta find the rest.

Yeah.

I probably have it on little mini tape somewhere.

Oh,

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