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Helping Writers Become Authors

4 Ways to Write Backstory That Matters (How to Outline for NaNoWriMo, Pt. 5)

Helping Writers Become Authors

K.M. Weiland

Arts

4.81.1K Ratings

🗓️ 31 October 2016

⏱️ 17 minutes

🧾️ Download transcript

Summary

Transcript

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0:00.0

This is K.M.

0:11.3

and you are listening to the 360th episode of the Helping Writers

0:15.1

Become Authors Podcast. All of the character sketches I've done for my

0:21.0

portal fantasy sequel Dreamlanders outlineline have been for new characters and most of them have been

0:26.8

antagonist I admit it I used to skimp on antagonist character sketches They're just not as important as pro tags right this was especially true for me since I rarely feature

0:39.2

Antigonist poves but these days I always do complete character sketches for all my important

0:47.3

antagonists. I felt for a long time that antagonists were one of my weak points, but doubling down on the character sketches

0:55.1

has allowed me to discover so much depth in what is so often an easily clicheted archetype.

1:01.6

When you look deep into someone's life, even someone who is

1:05.5

less than morally good, it's amazing how easy it is to understand and empathize to find

1:12.0

their dimensions, both good and bad, their shades of gray, and also

1:16.3

learn a little something about your own shades of gray along the way.

1:20.6

It's been time intensive, but definitely worth the extra work so far.

1:25.0

And in that same vein, the latest post on my blog is

1:30.0

How to Properly Motivate Your Bad Guy. The worst mistake you can... how to properly motivate your bad guy.

1:33.2

The worst mistake you can make with your antagonist is failing to give him a reason for his

1:39.4

evil actions.

1:40.7

Learn to motivate your bad guy in compelling ways. To read the post visit my site at

1:45.7

helping writers become authors.com. And now I hope you enjoyed this week's podcast entitled How to Outline for Nanowroimo Part 5

1:56.2

Four Ways to Write Back Story that Matters.

2:01.7

There are two equally vital parts to any story. The part you see and the part you don't.

2:08.0

The context and the subtext, the story and the backstory. Whether you're trying to figure out how to outline for

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