4.8 • 3.6K Ratings
🗓️ 25 February 2022
⏱️ 66 minutes
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0:00.0 | Episode 382 of the Bowry Boys, Richard Morris Hunt, architect of the Gilded Age. |
0:06.1 | Hey, it's the Bowry Boys! |
0:07.8 | Hey! |
0:22.3 | Hi there, welcome to the Bowry Boys. This is Greg Young. |
0:25.6 | And this is Tom Myers. Surprise, surprise. I've flown in from my Gilded Cage Greg to record |
0:32.2 | an episode at the Bowry Boys with you. Welcome back. As many of you may have heard, |
0:37.2 | Tom has been off recording the official Gilded Age podcast, which is the official tie-in |
0:43.2 | to the HBO show The Gilded Age. But you are back for this episode, and |
0:49.2 | yes. Well, I hope you're not tired of talking about the Gilded Age. |
0:53.5 | How could I be? How well do you know me? How possible is that? |
0:57.0 | Today's topic certainly takes us right into the Gilded Age, |
1:00.9 | but it's also a story about architecture, or rather one architect. |
1:05.4 | One of the most important in American history, Richard Morris Hunt. |
1:10.8 | Hunt's career spans the latter half of the 19th century, a period when the United States was |
1:16.4 | experiencing tremendous economic growth and developing an international profile. |
1:23.1 | But the country was still quite young and formative, and well, at least from an artistic perspective. |
1:29.9 | The United States was only beginning to develop its identity. Most then turned to Europe for |
1:36.0 | guidance on how to look and how to think and how to live. And that is where Hunt comes in. |
1:42.0 | He was the first American to study at the very influential Ecole des Beaux Art in Paris, |
1:47.6 | and Hunt would bring the ideas and the rules that he learned there in Paris back to New York |
1:53.8 | at a moment when the city was very receptive to the notions of French Renaissance and Italian |
1:59.6 | Baroque style. Now for the wealthy American who wanted to live like a European, Hunt was your guy. |
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