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The Important Cinema Club

#381 - Elvis Presley Vs. Great Directors

The Important Cinema Club

Justin Decloux and Will Sloan

Tv & Film

4.7576 Ratings

🗓️ 7 May 2024

⏱️ 54 minutes

🧾️ Download transcript

Summary

We focus on the handful of times Elvis worked with great directors: Michael Curtiz, Don Siegel, and Phil Karlson. Join the Patreon now for an exclusive episode every week, access to our entire Patreon Episode back catalog, your name read out on the next episode, and the friendly Discord chat: patreon.com/theimportantcinemaclub Subscribe, Review and Rate Us on Apple Podcasts: podcasts.apple.com/us/podcast/the-…ub/id1067435576 Follow the Podcast: twitter.com/ImprtCinemaClub Follow Will: twitter.com/WillSloanESQ Follow Justin: twitter.com/DeclouxJ Check out Justin's other podcasts, THE BAY STREET VIDEO PODCAST (@thebaystreetvideopodcast), THE VERY FINE COMIC BOOK PODCAST (www.theveryfinecomicbookpodcast.com) and NO SUCH THING AS A BAD MOVIE (@nosuchthingasabadmovie), as well as Will's MICHAEL AND US (@michael-and-us).

Transcript

Click on a timestamp to play from that location

0:00.0

Hello, my name is Justin a clue and I'm here today with Will Sloan.

0:10.3

And you're listening to The Important Cinema Club.

0:12.7

And today we're about to rock and roll, shake those hips because we're talking about Elvis

0:18.0

working with good directors. O'Tours. Not O O-Torrs. Sometimes O-Tor's. Would you call Michael Curtiz and O-Tor? Isn't like the whole thing is like he's, I'm the anti-O-Turist? You're right. Good directors. But let's call them O-Turors anyway, because I like that word. Yeah, I mean, Don Siegel and Phil Carlson, they are like studio guys, if you will.

0:39.1

And by the way, a special technical advisor on this. like that word. Yeah. I mean, Don Siegel and Phil Carlson, they are like studio guys, if you will.

0:39.1

And by the way, a special technical advisor on this episode, Colonel Tom Parker. That's right.

0:44.3

Big credit. Hello, it's me. Some would call him the villain of this here story, wouldn't they?

0:50.9

So I want to tell you something about Elvis. Okay. I have in my day interviewed

0:54.7

no less than five Elvis tribute artists. Not all at once, but just various times over the years.

1:01.4

Now, is it because you have a fascination with it? Is it the beat that you're on? You are assigned like,

1:06.3

ah, get the Elvis guy in here. I mean, none of them lately. Back when I was a journalism school, I visited

1:11.7

the home of no less than Gene Dinappily. That name perhaps will mean nothing to you, but great Elvis,

1:17.8

well, not Elvis impersonators, Elvis tribute artists. For legal reasons, we need to call it a tribute artist.

1:23.7

Back when I was a journalist in rural Ontario, I interviewed a, you know, township counselor,

1:29.8

not because of this, but he was an Elvis tribute artist, you know, in his off hours.

1:34.5

One thing I can tell you about Elvis tribute artists, they all are convinced that late Elvis

1:39.6

is the best one because he had real soul.

1:42.0

Wow.

1:42.8

It's like, yeah, the kids, you know, the young girls,

1:45.3

they like him when he's swinging his hips. Like charismatic and like present. But when he, but when he's

1:50.4

older and he's singing, singing with a soul in his heart, or you know, whatever. When I think of Elvis,

1:57.1

I think of Will Sloan. Elvis fan number one, right? And you know what else they tell you?

...

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