Hello and welcome back to the show. It has been about a month since my chat with Pat O'Connell.

And in that time, I've built two new features on our website, surf splendorpodcast.com.

The first is a film vault. And I've thought about doing this in the past, but there was other people

that I felt like were just doing it well. Surfline was my go to about a decade ago for kind of an aggregate of whatever was published around the web.

Stab magazine does something fairly similar now, but the videos are kind of layered between their articles and their premium content.

And it also doesn't seem to be

very curated. There's a lot of, I think, mediocre videos on their site that, again, is just kind

of interspersed with other content. So I'm not planning to post everything that exists in webland,

only what I think is worthy to watch. The four videos that I've posted

thus far are Dana Brown's latest film about his father. It's called Bruce Brown, A Life of Endless

Summers, that has been tragically underviewed, and I've almost heard nobody talking about it,

so you definitely need to go watch that.

It's a full-length feature documentary, and it's just really, really well done.

I've also posted the latest Torn Martin film, which hopefully you've already seen.

It's Lost Track Atlantic, Episode 2.

I've watched that twice in its entirety and certain sections repeatedly.

Russell Beerke's Mine Melter Vantage Points is on our site. And then, of course, Dan Scott's

25-minute, all-female film called Surfing. You can easily find all of that on our website.

Just navigate to films in the menu bar on surfsplendorpodcast.com.

I will not bombard you with mediocre content. I get sent pretty much everything that exists

in surfing on the web, but I'll sift through all of it and then just post the good stuff there.

Another thing, a more important thing I think, that I've been doing this past month, is building

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