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Michael and Us

#371 - Learn to Code

Michael and Us

Luke Savage and Will Sloan

Tv & Film

4.6668 Ratings

🗓️ 10 October 2022

⏱️ 49 minutes

🧾️ Download transcript

Summary

In 2015, three American armed forces vets foiled an attack on a train to Paris. Three years later, Clint Eastwood enlisted the boys to re-enact their experience in a major motion picture. The result, THE 15:17 TO PARIS (2018), is a genuinely strange docu-fiction experiment that, yes, has a lot to say about America. Join us on Patreon for an extra episode every week and more bonus content - https://www.patreon.com/michaelandus

Transcript

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0:00.0

wiggle wiggle like a gypsy queen

0:03.3

wiggle wiggle wiggle let me dress you and green

0:06.5

wiggle wiggle wiggle tell the moon is blue

0:09.5

wiggle till the moon sees you

0:11.9

So as I understand it

0:14.1

You know you're in Berlin and you're engaging in some

0:16.4

You know very German pastimes

0:18.0

One of which was seeing the artist Bob Dylan, the German singer-songwriter,

0:22.8

who you've not seen anywhere else? Do I have that right? That's right. I did see Bob Dylan. Bob and I

0:28.3

happened to be in Germany at the same time. Did he call? Did he write? Did he text? No, but nevertheless.

0:35.1

Somehow, some of those Twitter replies you did saying, yo, yo, you in town as well?

0:40.0

Somehow, I mean, he just, he must have missed those, you know, he doesn't check Twitter that

0:43.3

often.

0:43.9

And yet, he did post about being in Berlin, which just goes to show, it's almost as if he,

0:49.1

he doesn't care if I find out or not.

0:52.0

I mean, it's, it's really quite insulting. Can I just say before we continue

0:56.6

talking about our mutual friend Bob Dylan, there's a type of character that Will has introduced

1:02.1

me to, and there are many such people who fit this archetype who are basically reply guys,

1:07.4

but like a special kind of high level form of reply guy where it's to like

1:12.4

directors and actors and stuff like that.

1:15.5

But it's like a type of person who I don't know might once a year get to have like a 15

1:20.4

minute thing on a festival circuit or something where they, I don't know, get to ask like

...

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