Hello, my name's Justin the Klu, and I'm here today with Will Sloan, and you're listening to the

Important Cinema Club Shocktober edition.

Justin almost forgot what the name of the podcast was.

I want.

He's more podcast than man.

He's like, is it Bay Street Video?

Is it...

Where am I?

That is the true horror of this October month.

But listen, it's the fourth and final shocktober episode for the year.

Ooh!

And we always like to highlight...

Do we always like the highlight?

Not really. We sometimes like the highlight? Not really.

No.

We sometimes like the highlight, a filmmaker who you've probably never heard of.

Somebody creating spooks and shivers and goblins and ghouls with his own two hands out of paper mache and spit in a dream.

And who lived his entire life with very, very little acclaim.

So we are living in the golden age of physical media,

despite what you might have heard. We've had so many of these like career retrospective box

sets from filmmakers, both high, from your Agnes Vardis and your Ringmar Bergman's to low,

your Andy Milligans, your Herschel Gordon Lewis's, your Ray Dennis Steckler's. But even the buff was stumped when a couple

...