#347 - The Digital Michael Mann
The Important Cinema Club
Justin Decloux and Will Sloan
4.7 • 575 Ratings
🗓️ 23 August 2023
⏱️ 52 minutes
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| 0:00.0 | Hello, my name is Justin the Klu, and I'm here today with Will Sloan. |
| 0:10.4 | And you are listening to the Important Cinema Club. |
| 0:13.7 | And today we're talking about Michael Mann. |
| 0:16.2 | Specifically, we're talking about the digital man. |
| 0:19.7 | Yes, that's right. |
| 0:20.7 | Michael Mann, collateral onward. So even though he did use a little bit the digital man. Yes, that's right. Michael Mann, collateral onward. |
| 0:22.8 | Oh, even though he did use a little bit of digital video when he shot elite. And I think he used |
| 0:26.2 | a little bit of celluloid when he shot Miami Vice as well, didn't he? Oh, he did on collateral. |
| 0:31.0 | Okay. Where the opening daylight scenes and one scene indoors are shot on film, and then almost all of the rest is shot on digital |
| 0:39.1 | video. |
| 0:39.4 | Well, I think we can all agree that when he wants to make a normal-looking movie, and we're |
| 0:43.9 | putting normal in quotes, Michael Mann can make an exceptionally good-looking, normal-looking |
| 0:48.9 | movie. |
| 0:49.5 | Mm-hmm. |
| 0:49.8 | You know, thief, Manhunter, Heat, The Insider, Exceptionally Imaginative movies that are well-crafted visual experiences. |
| 0:58.1 | He's a guy just through being an executive producer on the TV series Miami Vice and the films that you just mentioned, kind of defined an 80s look. |
| 1:07.5 | Like, you look at Manhunter, you look at Thief. |
| 1:09.2 | That is what people imagine the ultimate version of the 80s to look like. |
| 1:13.3 | Like slick, polished. |
| 1:15.2 | Yeah. |
| 1:15.7 | And then in the 2000s, he switched from shooting on 35 millimeter film to digital. |
| 1:21.6 | And obviously, a lot of people did in the 2000s as well. |
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