345. Live from Sydney with Cal Wilson and guests Julia Zemiro, Maeve Marsden and Jazz Money - part two
The Guilty Feminist
The Spontaneity Shop
4.8 • 12.2K Ratings
🗓️ 13 February 2023
⏱️ 77 minutes
🧾️ Download transcript
Summary
The Guilty Feminist episode 345: Live from Sydney
Presented by Deborah Frances-White and Cal Wilson with guests Julia Zemiro, Maeve Marsden and Jazz Money.
Recorded 27 July at The State Theatre in Sydney. Released 13 February 2023.
The Guilty Feminist theme by Mark Hodge and produced by Nick Sheldon.
More about Deborah Frances-White
- https://deborahfrances-white.com
- https://twitter.com/DeborahFW
- https://www.virago.co.uk/the-guilty-feminist-book
More about Cal Wilson
- https://twitter.com/calbo
- https://www.instagram.com/calbowilson
More about Julia Zemiro
- https://twitter.com/julia_zemiro
- https://www.instagram.com/juliazemiro
More about Maeve Marsden
- https://twitter.com/maevemarsden
- https://maevemarsden.com
More about Jazz Money
- https://www.jazz.money
- https://www.instagram.com/jazzmoney_______/
For more information about this and other episodes…
- visit https://www.guiltyfeminist.com
- tweet us https://www.twitter.com/guiltfempod
- like our Facebook page https://www.facebook.com/guiltyfeminist
- check out our Instagram https://www.instagram.com/theguiltyfeminist
- or join our mailing list http://www.eepurl.com/bRfSPT
Our new podcasts are out now
- Media Storm https://podfollow.com/media-storm
- FOC it UP Comedy Club https://podfollow.com/foc-it-up-comedy-club
- Absolute Power https://podfollow.com/john-bercows-absolute-power
Come to a live recording
- International Women’s Day Special, 4 March: https://www.leicestersquaretheatre.com/the-guilty-feminist/
- Kings Place, 17 March: https://www.kingsplace.co.uk/whats-on/comedy/the-guilty-feminist-6/
Thank you to our amazing Patreon supporters.
To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist
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Transcript
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| 0:00.0 | Hello Guilty Feminist, this is Deborah. Do you love listening to the Guilty Feminist? |
| 0:03.7 | And do you work for a have a company that needs other people to hear about their brand? |
| 0:09.8 | Maybe I can even tell the Guilty Feminist listeners about your browned and message. |
| 0:14.2 | A cast can make that happen. A cast makes sure your browned |
| 0:17.5 | or organisation gets heard by the right people in the right podcast at the right time. |
| 0:21.9 | And with over 400 million listens a month, you can trust A cast to deliver |
| 0:25.6 | podcast advertising that finds the people that need to listen to your message. |
| 0:29.9 | So if you're ready to be heard and interested in me doing the talking for you, |
| 0:33.4 | email GuiltyFeminist at acast.com. |
| 0:38.3 | This episode is brought to you by the iconic Elizabeth Arden 8-hour cream. |
| 0:43.2 | Now I'm a feminist but if I had three wishes, one of them would be for more hydrated skin. |
| 0:47.7 | I really do have a problem. And luckily thanks to this little tube of |
| 0:52.2 | loveliness, I don't have to worry as much anymore. The 8-hour cream skin protectant |
| 0:57.2 | launched over 90 years ago and has since won over 85 beauty awards thanks to its unchanged formula. |
| 1:04.3 | It's just that good. It makes any dry skin I have feel hydrated and any soft skin I have feel like |
| 1:10.9 | angels wings. And its convenient size means I can pop it in my pocket or handbag and always have it |
| 1:16.8 | with me. What I love is I can use time a little bit on the back of my hands and then some on my |
| 1:22.5 | lips but it has so many other uses. You can mix it with sugar to create a lip scrub. Add it to your |
| 1:28.5 | cheek for an extra pop of highlight and even use it as an in-flight mask to prevent cabin dryness |
| 1:33.9 | on long flights. I can't wait to try this next time I travel. Elizabeth Arden are offering an |
| 1:39.2 | exclusive limited time offer of 20% off the 8-hour range. Go to ElizabethArden.co.uk and use |
| 1:46.7 | code tgf20 for 20% off. Toms and conditions apply. Hello guilty feminists this is Deborah and |
... |
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