Breaking news. Now here's the danger of podcasting because we've got you know 24 hour ideal turnaround on a podcast and

This Elon Musk Twitter thing is is is like I just saw that that Apple signed

Idris Elba to do a do you see that or it's like a seven

It's gonna be like a seven episode series about a trans continental flight or transatlantic flight that gets hijacked

But it takes place in real time, you know, so like oh wow so so like I know that's not new

But it's still you know it's either still bus so I'm like alright, it's great, right?

But it's it's it's like the old 24 gimmick or I forgot I just linked to it

But there was a Johnny Depp movie in 1996 or something like that

There was there TV shows that did that too like spy shows or something where it was supposed to be unfolding

Practically in real time I think not 24 but like in the 60 anyway. Yeah, that's a great. It's a great idea

Because you know you get the attention hearing in the premise and then they have to just tell a really good story inside

That all right now I got to look it up. There was a hitchcock movie that that it took it even further

It was the premise was that oh

It was yeah rope exactly and so tell people what the the the gimmick with rope wasn't just that it was real time

But continuous shots, but they couldn't load you know

They didn't have enough film in the cans in those days so you'll notice throughout rope

There's people the camera pans across the jacket back and then back in so they shot every

lengthy scene it continue or continuously, right? So I think it's like five or

Seven someone's gonna correct us. Yeah separate shots, but all of them are continuous and they all pan across

You're like, oh, that's not that interesting of the someone's jacket back, but it's it's it and it's a thrilling

Terrifying gripping movie because it brings that immediacy of something like theater right to the screen

I thought it was it's amazing. Yeah, I there's one where it the camera pans across a lamp and it makes no sense at all

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