Finally, fine. On the Emperor podcast this week, we say, oh, Tim Blake Nelson wore art

now. As one of the co-embrothers, go to men comes in to talk about the ballad of Buster's

grugs. Plus, after seeing Chris Pine on a bike and in a lift, we come face to face with

the man himself and director David McKenzie as they talk outlaw king. All that and more

on the movie podcast, it went to his very first improv class this week and is ready to

and yes, the hell out of this thing starting from now. Hello, pod. I'm Chris, you

are welcome to the amp out podcast this week. I'm joined by two colleagues of such lethal

cunning. We have our geek queen, our supernatural. This improv is really tricky. Hang on. This,

this oh, this supernatural shenanigan or improv so hard. Improv is terrible. They're too

improv. Improv is so hard. It's so tricky. Anyway, how am I hard?

My words, don't write words. No, the improv. My little one up my glee, improv,

isn't he? No. No. He extemporizes. Oh, that's just that's play, let's play around with the

text guys. No, he does that in rehearsal. I mean, he writes a text and that's what he performs.

I've got all along. Oh, no. Oh, this has gone wrong. Helena Haras here anyway. Yay.

And we also have, I mean, he's, he's, I mean, look at him. He's young. He's feral.

He's. I'm saying that like I know. Yeah. Please, can I just confirm that nobody in this room knows

that about me? Yeah. No, no, absolutely not. Ben Travis is here. Hello, it's good to be here.

How are you? Um, I'm really good. Good. So I'm going to need a scenario and a location.

No, we're not doing this. I cannot stress to you enough how much we're not doing this.

Right. See, you're what you're doing right there. Mm-hmm. It's not and yes. You're no button. Yes.

Yes. I have notices about you, Helena. I think I have no button. You know, you, you.

See, now you're on the essay. This is good. So you're going with a no button, but you're

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