Hello, my name's Justin the Klu, and I'm here today with Will Sloan.

And you're listening to The Important Cinema Club. And today, we continue our Australian journey

with George Miller. And by the way, I have practiced method podcasting by just coming back from Australia and suffering the worst jet lag of my life.

Wait, how long was the Australia trip again?

I was there for just a shade under three weeks.

And I got back.

And today, I'll tell you what happened.

This is not interesting.

I was up until 5 a.m. last night trying to get to sleep. Woke up at noon, watched Happy Feet for this podcast. Yeah. Went immediately back to sleep. And now here I am in the evening with Justin. Listen, people have been complaining. We jump too quick into the podcast. We have to do more of that like podcast banter for 10 to 15 minutes before we get

into the topic at ads. I also want people to understand my head space over the last couple

days. It's been sleeping, being tired, and watching the films of George Miller. Yeah. Well,

the good thing about George Miller is that he is a very direct filmmaker in that the kind of

subjects that he tackles, he does them in a stylish, forward-facing way.

So it's not like you have to wrestle with the kind of themes or content of the films that you watched.

Okay.

I'm going to say something off the top.

Hopefully when I say we'll be smarter than this going forward.

But I can't make that promise.

No.

I'm going to call

him the Sam Ramey of Australia because, because he's got a franchise that you associate very strongly

with them that has gone through this big evolution over the years that started as one thing,

...