Hi, I'm Stage and Stages, Lynn Menwell Miranda, and you're listening to The Hamilkast.

Put some cussin' pussin' cussin'.

Hi friends, I'm Jillian.

Welcome back to The Hamilkast.

This week I'm wrapping up my conversation with the incredible Marja Harmon.

In her first two episodes, Marja told me about her start in Indiana, and then gracing

the world's stages and shows like Dream Girls, The Lion King, Book of Mormon, Cat

on a Hot Tin Roof, and of course, Hamilton.

She also talked about the life lessons she's learned along the way, and the importance

of taking a break.

But for now, here's part three of my conversation with Marja Harmon.

Enjoy!

What's so interesting too about your journey with Hamilton is that you've been with the

show for so many big changes or so many big events, you know, like the importance

of going to Puerto Rico.

And then the pandemic, and then changing choreography and responding to the black people

and the people of color in the room and having those conversations and, you know, now

like this new normal, and what has that journey been like for you?

Gosh, I didn't even think about all of that.

I mean, that's, yes, I have been through many different kind of like amalgamations of

what Hamilton is and what Hamilton means.

And it's very different from when it first came on to the scene because, you know, Obama

...