312 - Kendelle Hoyer - Behind the Big Screen
The Symbolic World
Jonathan Pageau
4.8 β’ 933 Ratings
ποΈ 20 October 2023
β±οΈ 53 minutes
ποΈ Recording | iTunes | RSS
π§ΎοΈ Download transcript
Summary
In this podcast episode, we discuss her work as an artist to put together movies for the big screen. We also discuss what makes a story precious, and how to approach creative storytelling.
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Timestamps:
0:00 - Preview
0:50 - Intro music
1:14 - Introduction
2:01 - Being a storyboard artist
3:17 - What's the difference between the head-of-story and the director?
4:43 - How symbolic thinking helps
5:12 - Story reels
7:05 - Planning
9:45 - A bad story
12:39 - Working on a project
14:35 - The early Pixar and Disney movies
16:31 - Protecting the creative environment
20:02 - The next wave of storytelling
22:20 - Finding the right character
22:57 - Story problem solving
25:54 - What did you study?
26:36 - Storytellers are important
27:44 - Stop complaining and start creating
29:39 - How has symbolic thinking influenced your work?
33:33 - Putting the story first
37:50 - The flow and dialogos
44:38 - The early Disney films
46:17 - AI
49:48 - AI images
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My intro was arranged and recorded by Matthew Wilkinson.
Transcript
Click on a timestamp to play from that location
| 0:00.0 | So people would say, what's the moral of the story? |
| 0:04.2 | Right. |
| 0:04.5 | And so that's what they want to ask when they listen to a fairy tale. |
| 0:08.3 | And the truth is that there's something implicit, which is more important than whatever |
| 0:13.9 | moral you think you should get out of this story. |
| 0:16.1 | There's some participation, some mirror of reality, something that is reflecting to you, something precious |
| 0:22.3 | and powerful and sometimes beautiful, sometimes tragic, but it's more than immoral. |
| 0:27.6 | And that's where, like, it seems like that feminine thing. It's very elusive. It's implicit, |
| 0:33.8 | not explicit. And the mistake people try to make is they try to, when you try to make |
| 0:38.8 | the implicit explicit, I think that's when it gets into like propaganda territory. That's when it |
| 0:43.0 | gets into like, you're hitting people over the head with it and they, you know, if they want to |
| 0:46.9 | hear a sermon, they'll go to church. You know, they don't want to hear it. This is Jonathan Peugeot. Welcome to the symbolic world. So hello, everyone. |
| 1:16.1 | I am excited to be speaking to Kendall Hoyer. |
| 1:19.6 | Kendall is someone who worked at Disney for many, many years, |
| 1:23.3 | and she's now co-head of Story at Skydance Studios. |
| 1:27.0 | She is an animator, but mostly she is someone who |
| 1:29.8 | does storyboard art. She kind of takes the ideas from the script and from the director and |
| 1:35.5 | actually creates the basic bones of the story that bring it all together. And so when you watch a |
| 1:41.5 | movie that she's worked on, some of the scenes she will have worked out in detail of how the characters react and where they are and everything. |
| 1:48.1 | So it's a really a joy to be able to talk to someone like that and see how her thinking, |
| 1:53.3 | storytelling, thinking, how she brings symbolism into that and her experience as an artist. |
| 1:57.6 | So Kendall, thanks for coming to join me. |
... |
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