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Well, let's get the point in waiting no longer. Let's bring her out.

We're star interaction. The one you came to see. Ladies and gentlemen, the one, the only Miss Judy Gold.

You were successful pretty quickly, don't you think?

Yes, it happened like it was six years. They put me on it. I got to be on the tonight show.

Right. But then I feel like I never was. I wasn't ready to be a headliner yet.

Right.

And so I feel like I always missed those years of middleing that would have made me a really strong headliner.

You know, very, very excellent point when to love because I just had Jonathan Katz on who also was in Boston when you started.

And I and I told him I remember the one thing I remember about you and he doesn't like stand up.

By the way, he hates doing stand up, but he told me that I did one thing I remembered about him was that he would only do 40 minutes when he had line.

That was it. He's like, that's all I'm doing. That's all I have. That's all anyone wants to see me.

And he was like, and you know, most clubs want 45 to an hour.

And I think that I made this choice. I'm going to go on the road and middle.

So I can get really strong and the annoying Jonathan. No, the amazing Jonathan. I was working with him at Katz Reisenstar.

And I was really funny by that time. I think it was like 80 it was like 90 89 90 and he said,

now you're ready to head. It's so interesting because I know there's a lot of things comics said to you that stayed with you, but he said,

you're really funny and you're really strong. And now you need a closer that no one wants to follow.

That's when I put in and I am telling you, I'm not going that that closer.

And he goes, that's when you that now you're ready to be a headliner. And so it's interesting that you say that that you kept your day job.

And we're not, you know, because when you feature and a lot of comics now go from social media fame of being able to do 15 minutes to being booked as a headliner and they don't have the material.

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