4.5 • 1.9K Ratings
🗓️ 14 March 2022
⏱️ 52 minutes
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Ta'Rea Campbell, Angelica in the Philip company, talks about seeing Hamilton opening night at the public, her audition process, finding the things that are specifically for you, leaning into the weird, and stories from behind-the-scenes of shooting her first movie.
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0:00.0 | Hi, I'm Stage and Stage's Lynn Menwell Miranda and you're listening to The Hamlet Cast. |
0:05.1 | Bootsing, cuts in, bussing. |
0:18.4 | Hello everyone, I'm Jillian. This week we're picking up where we left off with |
0:22.0 | Terria Campbell, a Jeleka in the Phillip Company. If you missed last week's episode, |
0:25.9 | go pause here and catch up. You'll hear about how she got her start auditioning |
0:29.4 | around New York City at 12 years old. The early lessons it taught her, |
0:32.8 | booking dream roles and being your own advocate on the road. But if you're all caught up, |
0:37.2 | I'll leave you to it. Here's part two of my conversation with Terria Campbell. |
0:46.8 | Okay, so enough about me and the monkeys and the fact that I insisted on being called Peter |
0:51.0 | and that my parents were cool with it, which I think is very cool. I like them. Tell me your |
0:55.1 | Hamilton story. So Hamilton, you know, was like the hugest thing ever and I had, you know, |
1:01.9 | been at the opening night at the public and I had been stuck, right? The closing night at the public |
1:07.2 | and I had been at the opening night of Broadway. I just kind of, you know, new people and I was there |
1:15.1 | and... Well, what'd you think of it? Opening night at the public? I mean, what was your... |
1:18.7 | I thought and I remember saying this to Lynn. How embarrassing. I said, this is fantastic. |
1:26.9 | No one else should ever play any of these parts, but these people who are playing these parts. |
1:31.9 | Says Angelica on the fill of two. Right. I said, you picked the perfect people for these parts. |
1:36.7 | I don't know how you did it, but I can't imagine that anybody will ever be able to play any of these |
1:40.8 | parts. Then I walk away, which, you know, funny thing about it, I went to in the Heights once and |
1:46.5 | through some kind of way I ended up talking to him on stage. It's really a small world in Broadway. |
1:52.2 | And so it's like you know people, you just kind of know people, you just kind of end up in circles. |
1:55.8 | And so I was on stage and I was like, oh, this is good. And I am so happy you're writing something |
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