Hi, I'm Stage and Stages, Lin-Manuel Miranda, and you're listening to The Hamilkast.

Bootsing, cuts in, pissing!

Hey friends, I'm Jillian, and this is The Hamilkast.

This week, I'm finishing up my conversation with Christopher Henry Young,

swing for Man 1-6 on the End Peggy Tour.

If you miss the first two episodes, you have a lot of catching up to do.

Christopher talks about his introduction to the theater world,

looking Hamilton, his experiences inside the industry,

how Broadway and theater all over the country can grow and change moving forward,

and even more, if you can believe it.

But for now, here's part three of my conversation with Christopher. Enjoy!

We have questions from the Patreon peeps, of course, but before we dive into that,

because I think it'll bring us back to some of the things we're discussing,

can we just go back to your Hamilton story a little bit,

because I'm so audacious.

I keep thinking about how you set, learning my shot would be terrifying to me too,

but then also being in a room of people where it's like,

am I the only one who's there first time learning my shot?

Oh my god, and then you book the thing,

and then you have this sort of breakup with your imposter syndrome.

So then, what, I mean, were they saying, okay, you're going to be in the,

what company, did you know it was going to be the NPG company,

...