Hey Peter.

Peter?

Wait, you're not Peter.

I'm Adam Manus, and Peter Martin is out of town today, but we've got a special guest.

I would say an upgrade, actually.

The great Warren Wolf is in the studio today.

Warren, how you doing?

Everything's good.

What's happening?

I'm good, man.

So we have you here, first of all, you're playing across the alley over at Jazz St. Louis.

How the show is going this week?

Shows are going great.

I've been in town since Tuesday.

But, you know, our shows on Wednesday and Thursday were canceled because of the snow.

But we finally got it in Friday and Saturday night.

It's been great, playing some good music.

And we have one more set tonight. Cool. Well, hopefully they put you up in a hotel that had stuff to do, man, because you were like snowed in the whole time. If it was baseball season, we would be great because we were right across the tree from the ballpark. Oh, yeah, yeah. We're kind of just hanging out, just eating a lot. So we're going to talk to you today about three of your favorite mallet tracks, but I know you're on the road for a little bit here. You're going to Minneapolis this week and tell the people where you're going to be. I will be at the Dakota Bar and Grill, Jazz Bar and Grillo in Minneapolis, Minnesota. Yeah. And then after that, it's going to be pretty busy between Christian McBride, Inside Strait, and the SF Jazz Collective.

And still a little bit of my stuff, too. Oh, yeah, we're familiar with Inside Straight. Pretty much the entire band is Zopa Studio artists at this point. So the Minneapolis gig, so this is airing on Monday. What days are you over there? So we'll be at the Dakota on Tuesday. We'll be playing two different shows. Tuesday will be the history of the vibraphone,

which is I play music pretty much from like the 40s all the way up until today.

Man.

Different vibes players to show how the instrument has evolved.

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