Hi, I'm stage and stages Lin-Manuel Miranda and you're listening to The Hamilkast.

Bootsing, cut, sin, bussing.

Hello, friends. Welcome back to The Hamilkast. I'm Jillian. This week we're picking up where we

left off with Jordana Gronik of the End Peggy Tour. If you missed your first episode,

pause here and go check that out first. You'll hear about her life in Colorado,

the three-year journey to being cast in Hamilton, how she spent her time away while the show was off,

and why being in the room and working with the Hamilton crew is different from

every show that came before it. Plus, some very important changes being made to the show.

But if you're all caught up, here's part two of my conversation with Jordana. Enjoy.

I did want to talk about your activism and how vocal you are online about social things

and politics. I know that you were a major part of these letter writing parties for the elections

and vote writers and all of that. You were there for the March on Broadway. Now that we're here,

I would just love if we could talk a little bit about the changes you hope to see in theater,

not just Broadway because theater is everywhere. It's not just Broadway and theater is more than

musicals and all of that is also very true. I think people forget about that a lot.

But just your point of view on all of that and I just want to talk to you about it. Yeah.

Yeah. I mean, I have been so inspired by the work that the task force has done.

And I think that they are truly leading the way with the blueprints of what

is the baseline going forward for the ways that people should be making theater and keeping

theater running and treating the people who do theater. You said earlier that the whole

economic system is such a gatekeeping thing and I think that is like the first issue that we have.

The fact that it's just like very few people go to the theater and very few people can or even

...