4.6 • 1.2K Ratings
🗓️ 3 December 2020
⏱️ 65 minutes
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0:00.0 | The History of Literature Podcast is a member of the Podglamorate Network and LIT Hub Radio. I always used to say to my sources I say look think of me as a murder weapon that has no |
0:20.9 | fingerprints I would say if you want to settle a score, if you want to put the knife in someone's back, |
0:27.0 | as long as what you're telling me, checks out, |
0:29.0 | I'm happy to be your murder weapon. |
0:41.0 | I went out to Minneapolis to see an early performance of the |
0:45.0 | elements of the Lion King's, I went there to kill it. I thought there was no way. |
0:46.0 | You cannot put the family-friendly Disney company |
0:50.0 | with crazy avant-garde genius, a strange, Julie Tamer, this is a train wreck. |
0:58.0 | This is going to be a train wreck. |
1:01.0 | And I settled into my seat at the Orpheum Theater in Minneapolis, and my pencil believe me was dipped |
1:07.0 | into poison because I was ready to really kill it. |
1:10.4 | And then I saw, beginnings of a circle of life number. |
1:17.0 | Yeah. |
1:18.0 | And this gigantic paper mache sun rising and C. D. Loveso as Rafiki coming out and chanting in the |
1:28.0 | African language and then I remember these giraffe puppets loping on the stage, you know, human beings on stilts with a |
1:35.8 | giraffe head on top of them and then the cheetah puppet came out and I thought, oh my God, I've never seen anything like this. I've seen a lot of shows that I I I can't I don't even |
1:48.0 | the words to describe that the majesty and the beauty of what I'm seeing and at the end of that I remember |
1:54.8 | then you know being totally stunned I felt something brush up against when I |
1:58.3 | look up in this life-sized elephant puppet it's ears just brushed up against me |
2:01.7 | was marching down the aisle of the |
2:03.5 | Orphe theater. And at the end of the Circle of Life, |
2:06.5 | 1500 people at the orphan theater, they just weren't giving me standing there. |
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