Hello, my name's Justin the Clune.

I'm here today with Will Sloan.

And you're listening to the important cinema club.

And what's this?

It's October by the time you're listening to this.

That means it's Shocktober.

Oh.

Oh.

Sorry to all the Max O Fools fans.

We promised O Fools last week.

We are going to get to him, but unfortunately, the clock turns to October before we could.

That's right.

We turn it into a werewolf or Frankensteins or Invisible Men.

So we got to follow our hearts, our worm-infested, broken hearts.

Well, we decided to approach October maybe a little differently this year.

We're looking at it less oture-driven, less personality-driven, and more conceptually, I think.

And what is more conceptual than talking about what makes a movie scary?

Now, I want to tell you something, Justin. I don't scare. No? Never? Well, I'm not going to say never,

because I'm going to talk about times when I was scared. But I got to say, for the most part,

people talk about how scary movies are. And there's a certain suspension of disbelief that I don't think I give up a lot of the time. Like a lot of times people say The Shining. That's such a scary movie. And I guess so, but I'm also aware that it's Jack Nicholson. You know what I mean? But doesn't that mean that you have difficulty watching any movie and breaking apart the fact that there are artisans behind the scene that

there's cuts with every camera move yeah actually okay the shining's not a great example because

there is something very scary about the breakdown conceptually about the breakdown of the

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