273 | The Roots of Imposter Syndrome - Part 2
The Screenwriting Life with Meg LeFauve and Lorien McKenna
Meg LeFauve & Lorien McKenna
4.9 • 1.1K Ratings
🗓️ 27 November 2025
⏱️ 46 minutes
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| 0:00.0 | Welcome back to the screenwriting life. |
| 0:06.8 | If you haven't heard part one of our conversation with counselor and healer Madeline |
| 0:10.9 | Blow, we recommend starting there. |
| 0:14.0 | It lays the emotional and creative foundation for what you're about to hear. |
| 0:18.2 | In the second part, we move deeper into the body, the nervous system, |
| 0:21.7 | and the subconscious patterns that shape imposter syndrome. This half of the conversation gets |
| 0:26.3 | incredibly practical as Madeline walks us through grounding work, how to recognize self-sabotage, |
| 0:31.7 | and how to return to our creative center. We're picking right up where we left off in a moment |
| 0:36.4 | where everything we were talking about started to register physically for me. |
| 0:40.2 | Let's jump in. |
| 0:43.6 | I'm aware that probably other people might be feeling this as well listening to this. |
| 0:47.6 | And, you know, I've worked with you before. |
| 0:49.0 | So I'm, I sort of knew what to expect. |
| 0:51.0 | So I just want to pause here for a second and recalibrate because I feel like |
| 0:58.0 | I took a lot in intellectually, emotionally, psychologically. And so I need to figure out how to do that |
| 1:04.6 | so I can keep listening. So when you feel that everything going up, that's adrenaline, right? |
| 1:12.7 | Shooting up, the next stage is to get out of the body to be able somewhere to feel safe. |
| 1:18.8 | So when that's happening, if you're in a meeting and that happens, right? |
| 1:24.5 | You're doing a pitch. |
| 1:25.8 | You're doing any time that happens begin to widen your eye sight which means |
| 1:35.5 | start you can look ahead but you look more to the side the peripheral vision because what happens when we become adrenalized is we become in eyed. |
| 1:48.7 | We only are looking forward because we're looking to either fight or flee to get away. |
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