Mr. Tony Roberts, what's the best way to describe Tony. He is an innovative surf photographer and filmmaker from Santa Cruz, best known for his work with

surfing magazine in the 80s and 90s, where he pioneered photography techniques to document

the genesis and quick progression of aerial surfing that was taking place in his hometown.

He got his first camera when he was 12 years old and I actually found

an epic image of Tony on the encyclopedia of surfing, EOS.Surf. And Tony's 13. He has a video

camera hoisted on his shoulder with a young Tom Curran trying to sneak a peek over his shoulder

and into the viewfinder.

I've posted that on Surf Splendor Podcast.com.

By the age of 16, Tony was touring live shows of his surf and skate films to local school auditoriums.

He was providing live narration and even DJing the soundtrack live on the spot.

So he began working for Surfing Magazine in 1984 under the tutelage of famed photo editor

Flame. Much of the world's interest and focus on Santa Cruz and the aerial surfing, which

by the way became immeasurably influential in modern surfing,

much of the world's interest in those things can be directly attributed to Tony Roberts,

and him having that platform of surfing magazine to showcase really what was uniquely

happening amongst his friends.

And among them, Ratboy, Flea, Barney, Galley, Richard Schmidt.

Tony logged multiple cover shots during that time, probably a dozen,

and then 20 featured length surf and skate films.

In 1996, he relocated to Costa Rica and became a key asset and liaison

for nearly any pro-surfer or surf brand who wanted to ensure that they would score in

Central America. As the industry and surf media has slowly dissolved, Tony has parlayed those

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