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The Next Picture Show

#268: Hard Water Pt. 2 — Minari

The Next Picture Show

Filmspotting

Tv & Film, Film History, Film Reviews

4.6858 Ratings

🗓️ 9 March 2021

⏱️ 58 minutes

🧾️ Download transcript

Summary

Yes, Lee Isaac Chung’s new feature MINARI is a story that involves family farming and scarcity of water, but its connections to Claude Berri’s 1986 tragedy JEAN DE FLORETTE go beyond plot similarities and into deeper explorations of community and outsiders. After discussing our initial reactions to MINARI we dig into those connections, as well as how the specifics of each film’s setting — rural Arkansas and Provence, France — shape those communities. Plus Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your radar. Please share your comments, thoughts, and questions about JEAN DE FLORETTE, MINARI, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.  Your Next Picture Show: Scott: Paul Mazursky’s ALEX IN WONDERLAND Keith: John Farrow’s WHERE DANGER LIVES Tasha: Philippe Lacôte’s NIGHT OF THE KINGS Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:28.2

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0:31.5

It's very difficult to keep the line between the past and the present.

0:35.3

You believe that someone out of the past can enter and take possession of a living being?

0:42.0

We may be through with the past, but the past is not through with us.

0:49.8

Welcome back to the Next Picture Show, a movie of the week podcast devoted to a classic film

0:53.9

no way it shaped our thoughts on a recent release. I'm Keith Phipps, here again with

0:57.9

Tasha Robinson and Scott Tobias. Genevique Cosque remains absent with leave so she can take her

1:03.6

crops to town. On last week's show, we talked about Jean de Florette, the first half of Claude

1:08.8

Berries adaptation of a story of tragedy and eventually revenge in Provence. With this episode, we'll turn our attention to Minari,

1:15.8

Lee Isaac Chung's semi-autobiographical film about growing up in 80s, Arkansas. In broad description,

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