No home. No address. No address. No bank account. No bank account. No job. No job. No home. No address. No

bank account. No bank account. No job. No job. No home. It's time to break the vicious circle.

We're working with charities like Shelter to provide a bank account for people who are homeless.

Such HSBCUK, no fixed address.

It's very difficult to keep the line between the past and the present.

You believe that someone out of the past can enter and take possession of a living being?

We may be through with the past, but the past is not through with us.

Welcome back to the next picture show, a movie the week podcast devoted to a classic film in the way it shaped our thoughts on a recent release.

I'm Keith Phipps here again with...

Tasha Robinson and Genevieve Kosky.

Scott Tobias won't be joining us because he's laid up with a broken leg and a case of whiskey.

But we can't wait to see what he produces in his time away.

On last week's show, we talked about Citizen Kane. On this week's episode, we'll discuss a film about Citizen Kane.

Sort of.

David Fincher's latest, the director's first film for Netflix, is a biopic of a screenwriter Herman

Megowitz, adapted from a screenplay by Jack Fincher, the director's father, who died in 2003.

In interviews, Fincher has talked about how his father's first draft

essentially took the same position that Pauline Kale took in her essay, Raising Kane,

that Makavitz deserved credit as the true author of Citizen Kane. Though the Finnish film

certainly makes the case for giving Makovits more of the credit than he's often received over

the years, it's more interested in peeling back the layers of a complex character and exploring the many personal and cultural themes that found their way into Kane.

Jerry Oldman starts as Megavitz, depicted in the films of brilliant lush working on the script

...