It's very difficult to keep the line between the past and the present.

You believe that someone out of the past can enter and take possession of a living being?

We may be true with the past, but the past is not through with us.

Welcome back to the next picture show, a movie the week podcast podcast devoted to a classic film in the way it shaped our thoughts in a recent release.

I'm Scott Tobias here again with Keith Phipps.

And Tasha Robinson.

On last week's show, we talked about family dysfunction in suburban Connecticut in the early 1970s.

Now we move forward a decade to talk about more family

dysfunction, this time in London in the 1980s, when a different set of values lays siege to a family

of four. In The Nest, writer-director Sean Durkin's long-awated follow-up to Martha, Marcy,

May, Marlene, Jude Law and Carrie Coon star as Rory and Allison O'Hara, an unhappily

married couple with two teenage children, Sam, Allison's daughter from a previous marriage,

and Benjamin, the son they had together. As the film opens, Rory and Allison have already moved

four times in ten years in search of a permanent home. But Rory's

restlessness is forcing a more radical change than usual. He connects with an old boss in London

and believes he can make a fortune off the newly deregulated markets. That is, if he can bring

an American-style culture change to a conservative British company. When the O'Hara's arrive in

in England, Rory has rented them

a massive old estate in the countryside, which heightens their sense of isolation in a foreign land

after moving from a normal suburban American neighborhood. He tries to sell his wife on the idea

of having a stable on their property for her beloved horse, and he enrolls the kids in nice schools, but all of them

struggle to find their bearings. In the meantime, Rory's get-rich-quick-aggressiveness starts to

...