And the Hey everyone channeling Tom Riemann there.

If you listen to Gamefully Unemployed, welcome to Frame Rate the show where we raid frames.

I'm one of your intrepid hosts.

Michael Swaim. and with me is

Abe Epperson as always. That's true, always. We're never far from one another and

uh... It's true and we have a special guest with us today our

resident who shot expert please state your business sir my business is my

business is I'm just a dorky white guy who likes Kung Fu movies and I guess I guess that makes me the Wushai expert but um and what does that make me the right guy for today's movie?

I don't know.

You're definitely not the right guy.

Some commenters took issue with us calling at Wu Shah,

saying that Wu Shah more refers to not the magical wirework leaping through the air motif, but the classic

like a hero's journey, like the Campbell.

I thought we touched on that.

Did we? I thought we touched on that. Yeah, no, if you're talking about, if you're talking about a Kung Fu movie that has any of those elements in it, is like calling anything that anything that

anything that includes the jangu who motif of like the rivers and lakes and

shit is who's shot if we're talking about kung-kung-ku hustle still like there's a solid argument for yes, it's Wushon a modernistic setting.

If we're talking about this movie, I don't fucking know what this is, but I like it.

All right.

Well, I guess my broad point is we could be wrong about nuanced terms and in fact borderline,

like I don't know, problematic, but we're super not trying to be we're trying to show an

appreciation for the form so we'll do our best and I also wanted to stay that this

...