Hello, my name's Justin the Klu, and I'm here today with Will Sloan.

And today, we're talking about a big one because it's essentially the person that defined martial arts cinema and I would say basically has not been topped.

I think Lau Kar Lung's work, also known as Lucia Lang, I think his work

is unsurpassable, actually. There are many conditions that make his work unsurpassable. All of them,

labor-related conditions probably. Yeah, that people are not making stuff in a sweatshop film studio,

that they were not in a torturous school

setting to continually work out every single day until they could do all of these crazy moves.

But nevertheless, the legacy that he leaves behind, the martial arts films that he made

cannot be denied. He is arguably the most important martial arts director and choreographer of all time.

He has made films such as the 36th Chamber of Shaolin, legendary weapons of China,

Challenge of the Masters. Mad Monkey Kung Fu, so many amazing movies. He directed about 25 films

and almost all of them has something of interest.

And it's a great career to talk about because he continually tried to evolve with the times, sometimes to his detriment, but oftentimes kind of revolutionizing what could be done.

And he's also a topic that's a little bit intimidating because it's

difficult to talk about. And it's also incredibly vast as well. And before we say that, I would

like to mention that he has made a film that everyone interested in Hong Kong action movies has

seen, a film that many laymen have seen, too, and also one of the greatest

martial arts films of all time. And I refer, of course, to Drunken Master, too, also known as

The Legend of Drunken Master, starring Jackie Chan, a movie that he was fired from.

You know what's funny about that is that I thought you were going to say, um, 36 chamber of

Shaolin, which just goes to

show how many masterpieces this guy has up his sleeve. I do want to mention Drunken Master, too,

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