#242: Alexzandra Sarmiento // Hamilton West End // Part Two

The Hamilcast: A Hamilton Podcast

Gillian Pensavalle

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4.5 • 1.9K Ratings

🗓️ 2 November 2020

⏱️ 69 minutes

🔗️ Recording | iTunes | RSS

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Summary

In part two of our conversation Alexzandra Sarmiento details what it means to be a dance captain, what it was like seeing Hamilton for the first time, reveals the lyrics that changed from Broadway to the West End, take us behind-the-scenes at the Olivier Awards, and shares what it takes to keep the magic in the room where it happens.

Six: The Musical

Room Where It Happens: reaction video

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Transcript

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0:00.0	Again, I feel like I'm at the Oscars still.
0:02.0	Hi, I'm stage and stages Lin Manuel Miranda,
0:07.0	and you're listening to The Hamelcast.
0:10.0	Boots and cuts and, and poos and poos and
0:12.0	say cutuz.
0:14.0	Hohh,
0:16.0	Hohh,
0:17.0	Hello everyone,
0:20.0	Hello everyone.
0:24.0	welcome back to the Hamelcast.
0:25.0	I'm Jillian.
0:26.0	This week we're picking up right where we left off in episode 241 with Alexandra
0:29.4	Sarmiento.
0:30.4	In the last step we talked about Alex moving to London for a life in the theater,
0:33.4	what it was like booking Hamilton, and A. Dot's arms spills Tommy Cale and Alex Lachamore's favorite
0:38.0	snacks and pret orders in impressive detail. But if you're all caught up,
0:41.6	I'll leave you to it. Here is part two of my conversation with Hamilton West End Original Company member and
0:46.2	dance captain Alexandra Sarmiento.
0:52.2	I don't know what we were talking about.
0:54.3	Wait, we were talking about you running all around London in your precious Hamilton
0:58.9	gear.
0:59.9	Oh yeah. And then bringing Lack his lunch.
	...

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