Hey, do-to-do, do-do-do-do-do-do. Hey, hey, hey, hey-do. Hey-do. Hey-do. Hey-to-ha. Hey, to-do. And let's get this hat off. Let's get it. Head-punk. Back on a little bit. And let's get it in let's get ready to fumble the mic and go back to the number one

yard line and get a good safety everybody loves a good ass safety hi everybody welcome everybody. Welcome to the executive Buffett, also known as Live to Tap, live to tape, the taping session.

Also known as constantly having problems with audio gear due to, I don't know, due to what, dirty power due cable cable management miss cable mismanagement how

about that huh how about consumer pro prosumer gear that that popping sound we don't want

that I put this on there I'm putting on a windscreen now for all those who were just

listening I was that was the sound of me putting on a wind screen. Now I can get it really close. I can get up on that. I can get up on that shit. Don't be afraid to get up on the mic. Some people say that. Some sound guys say that. Don't be afraid to really get up in there. Really stick the mic in your trombone when you're doing your solo at the last

place that has jazz. Imagine going to see live jazz these days, huh? Oof, no thanks. No thanks for that.

Talk about fedoras.

Yeah, oh, yeah, Talk about fedores.

Hey, this is me.

It's Johnny Pemberton.

That's my name.

Welcome to the experience I have here.

I recently have been made aware that saying welcome is like cliche.

Like you're not supposed to, well, you're not supposed to say that, but like, oh, everyone says that.

Yep, you know what?

So what?

I feel that way.

I do welcome you.

I feel like welcoming.

I think I have a problem being too aware of cliche or anything like that, anything that's like, you know, Ben had or whatever, how do you want to say it?

Something that's kind of like maybe not the least original way to, maybe not the most original way to approach a thing.

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