My mother was the cold north wind. My daddy was the sun of a railroad man from west of hell,

where the trains don't even run. Never heard the whistle of a southbound freight,

or the screaming of his drive, and we'll know I never did no one dream, never did no one dream,

never did no one dream after all.

Welcome to frame race. The show where we rate auto harp performances of 100. How would you rate that?

I'm going to cross podcast and say I rate that real good dinosaur. It's a real good dinosaur.

We rate real good dinosaurs. I will rate it automatic for the people good album.

It was as good as that. Yeah, it's auto harp. Why is it called an auto harp, Caroline?

It's like a harp, but instead of strumming or having to individually press chords,

there's buttons that manipulate the chords automatically.

Oh, so it is automatic. Okay, I thought I was dumb and that it meant auto like you do it yourself,

like auto biography, but I'm like, of course, you do it yourself. That's all instruments.

They made it automatic for the people. And then when you said I have an auto harp, I can bring it.

I thought I was thinking of a mouth harp the whole time. I thought we were going to hear like,

oh, I do have one. Oh, yeah, it's a wonderful, wonderful instrument.

It hurts like a motherfucker if you fuck it up and it clacks against your teeth.

The worst. But it's what Mickey plays in the film that we're talking about.

The auto harp. Yeah, not the mouth harp. So the film we're talking, but well, first of all,

Frank Raich or Ray, I said that. You? Hey, me, Michael. You?

Caroline. Caroline is back with us. Caroline Anderson. Welcome back to the show.

Remember from the body episode of Buffy the Vampire Slayer. Yes. And that episode is gone now.

It's just a husk. Yeah, don't reach out to touch it. Don't touch it. It's gone. Move on with your

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