235. Neil Gaiman (Jason Plays Favorites #7) – and then it gets darker
Think Again - a Big Think Podcast
Big Think / Panoply
4.6 • 594 Ratings
🗓️ 22 March 2020
⏱️ 58 minutes
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| 0:00.0 | Jason here. This is the last of a series of episodes I'm calling Jason plays favorites, |
| 0:07.9 | where I'm picking some by no means all of my favorite episodes from the past five years |
| 0:12.8 | and playing them again. As I say early on in this one, I have been a fan of Neil Gaiman's for |
| 0:19.9 | many, many years. |
| 0:21.6 | What a life moment it was for me to sit down with him and discover what a present, |
| 0:27.6 | thoughtful, delightful person he was to talk to, and then to get the opportunity to talk about |
| 0:34.6 | Norse mythology, these ancient stories that inform so much of his work |
| 0:40.0 | and that have so much power and resonance for us all these centuries later. And I would say |
| 0:45.5 | that my favorite part of this episode might be the conversation about Loki, the trickster, |
| 0:51.7 | because I think that the artist is by nature a trickster and a shapeshifter, |
| 0:57.3 | and that we need the trickster in order to keep life surprising and interesting and to take us |
| 1:04.3 | to new places as much as we need stability and comfort and home. |
| 1:15.6 | Hi there, I'm Jason Gatz, and you're listening to Think Again, a big think podcast. Adult life, with all its schedules and responsibilities, can turn into a kind of library of locked boxes. |
| 1:28.8 | The ones we open every day sit on a shelf at eye level, their keys clip to a carabiner at our |
| 1:33.7 | waist, set the alarm, pack a gym bag, pick up milk for the kids. |
| 1:38.2 | But on the lower shelves and in the dusty back rooms there's an ominous jumble of odd |
| 1:41.9 | shaped containers. |
| 1:43.4 | They hold the stories that don't |
| 1:44.5 | fit so neatly into the skin we've decided to live in. Maybe we've misplaced the keys, or maybe we've |
| 1:49.5 | deliberately lost them. My guest today keeps all the keys close at hand. In his stories and graphic |
| 1:55.6 | novels, worlds collide, and, as the fairy aerial puts it in Shakespeare's Tempest, they suffer a sea change into |
| 2:02.3 | something rich and strange. The walls of reality are permeable and dangerous magic is always |
... |
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