4.8 • 1.6K Ratings
🗓️ 18 February 2018
⏱️ 97 minutes
🧾️ Download transcript
Her writing and performance in The Fast Show made her one of the most influential women in British sketch comedy; now Arabella Weir reflects on her work and the balance of power underpinning the five-man, most-often-one-woman sketch team. We discuss the tension and friction of making comedy; whether a happy person still has the same hunger to perform; and learn the awful truth about the genesis of her character "Girl Who Boys Can't Hear"...
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0:00.0 | Are there any words more guaranteed to strike terror into people's hearts than climate comedy? |
0:04.6 | Well, I thought so, and then I took my show Spoilers to the Edinburgh Festival and everyone bloody loved it, |
0:09.7 | including Brian Eno, if you can believe that. You can see it at the Soho Theatre from the 29th of |
0:14.6 | November for four nights get your tickets at Stuart goalsmith.com. |
0:18.1 | This is a podcast from's comedian podg. This is the Comedians, Comedian Podcast. |
0:35.0 | Hello and welcome to the show. I'm Stuart Goldsmith and today I'm very proud to be speaking to Arabella Weir who was lucky enough to let me go |
0:44.8 | around her beautiful and very colourful house Arabella as many of you will know came to |
0:49.7 | prominence as one of the female members of the Fast Show. To all intents and purposes, the only |
0:54.3 | full-time female cast member and responsible for some brilliant sketch comedy. |
0:58.6 | For those of you listening outside the UK, for those in the UK, the Far Show will need no introduction, but for those of you |
1:04.0 | listening outside it was one of the most influential and one of the funniest sketch shows that the British |
1:10.6 | public have enjoyed in recent years. |
1:13.2 | I mean 20 years ago now I think but they really |
1:16.0 | popularized an extremely fast and punchline filled |
1:19.9 | and catchphrase driven type of comedy and we're going to talk a lot about Arabella's |
1:24.0 | experiences there. We're going to talk about the Me Too movement. We're going to talk |
1:28.2 | about Arabella's experiences as very often the only female performer in the room during some of the making of the |
1:35.4 | fast show and the creative friction and the tension involved in in that |
1:40.4 | situation so we're going to go into depth on a lot of those things and also possibly |
1:45.6 | some of her plans for the future and some of my suggestions for her plans for the future. |
1:51.4 | We might I basically try to bully her into going to any. for her |
1:53.4 | for the future. We might, I basically try to bully her into going to Edinburgh. |
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