#226: Lin-Manuel Miranda Returns! // Part Two

The Hamilcast: A Hamilton Podcast

Gillian Pensavalle

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4.5 • 1.9K Ratings

🗓️ 13 July 2020

⏱️ 77 minutes

🔗️ Recording | iTunes | RSS

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Summary

In part two of my conversation celebrating the release of #Hamilfilm on Disney+ with Lin-Manuel Miranda: Lin takes questions from the Patreon Peeps, talks a bit about his upcoming projects, shares some advice for writers, and performs a previously unheard draft of Hamilton's final duel a cappella.

Hamilton on Disney+
Lin-Manuel Miranda on The Hamilcast (2017-2020)
Andy Blankenbuehler on The Hamilcast (2020)
The Cabinet on The Hamilcast (2017-2020)
D.O.A. - JAY-Z
Word Crimes - Weird Al Yankovic
Find The Key - Jonathan Larson
On Writing: A Memoir of the Craft
The Empty Bowl
'Ten Dollar Tobi' shirt
Lin-Manuel on Twitter
Gillian on Twitter
Gillian on Instagram
The Hamilcast on Twitter
The Hamilcast on Instagram
Join the Patreon Peeps

Transcript

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0:00.0	Hi, I'm Stage and Stages Lin Manuel Miranda, and you're listening to The Hamilcast.
0:05.1	Butts and cuts and, and boots and... Hello friends. Welcome back to the Hamill cast. I'm Jillian. We're jumping right
0:21.4	back in where we left off with my conversation with
0:23.6	Lynn Mademol Miranda in episode 225. So if you haven't heard that yet, you'll
0:27.6	want to start there. Lynn shares how he's feeling about the world having
0:30.3	access to Hamilton. We have it, we just have it, it's amazing. He takes us inside the
0:34.4	process of putting it together and he shares some of his favorite moments with the cast. But if you really
0:38.8	want to catch up, you can go back and listen to Lynn's first visit to the podcast in 2017 and that's where we
0:43.7	really do a deep dive into the show. Those are episodes 88 through 92. All right if you're
0:48.5	all caught up here we go part two of my Hamill Film conversation with Lynn Manuel
0:52.4	Miranda.
0:53.2	Oh, I want to talk more about, because we touched on it on it but again not a visual medium
1:02.8	Ariana debauz as the bullet in that final duel there's a shot where her
1:08.2	fingers are so perfectly placed it looks like she's holding the barrel of that
1:12.4	gun she's not because she's
1:14.2	feet away she's coming towards you but it looks like she's holding it and it's just
1:20.1	it's so precise and she's so good and it was such an amazing just like I'm such a
1:25.2	nerd about the details and the text stuff like the editing and like how to get the
1:28.4	camera to look like to to get that shot so that it just looks so perfect because then it cuts and suddenly you're like
1:36.4	she's four feet away from the thing right she's just that good yeah she's just that good
1:40.6	that's all I want to say yeah and it's such and it's such a showcase for her as well and the entire ensemble sort of being a part of that moment, right? Like, they have been our storytellers throughout and the rule is like whoever's closest to the story tells the story and like time really sort of
1:58.0	Contract in on itself in that moment because we're also seeing these ghosts. We're seeing George Washington and we're also seeing these ghosts.
	...

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