Hi, this is Roger Moore and you're listening to James Bond Radio.

Hello and welcome to James Bond Radio. 30 days of no time to die. In today's episode,

we're talking about the very, very end of the film on what a controversial ending is as well for

many, many people. Joining me today, as per usual,

is Mr. Chris Wright. How are you doing, Chris? I'm doing very well, Tommy. How are you doing?

Last, last part of the movie reviews. Are you feeling sad? Do you feel excited? Are you feeling

nervous? Yeah, man. Well, I tell you what, I predict that this will be a talking point for many decades to come. It'll be one of those

things, you know, should they have, shouldn't they have? Is it the right thing? Is it the wrong thing?

Do you love it? Do you hate it? And I, to be honest, I understand both angles with these things,

you know? There's a part of me that really doesn't like it, but there's a part of me that's like, well, actually, I think it really works for Daniel's Bond and all those kinds of things.

So, so yeah, how about you, man? Do you think when Majesty's first came out, obviously it's a bit

different to these days because you've got social media, you can see everything millions of times

over and communicate with people? Do you think when people went to see Majesties back in the day? Because we know

it didn't do as well financially part. That was a run time as well. But do you think people

came out of that and there were people that are angry and saying how could they have killed off?

How could Bond get married, number one?

How could they kill Bond's wife and end on the downbeat ending number two?

Do you think it sort of evoked the same reaction?

Maybe for the casual moviegoer, because, but at the end of the day, it is a Fleming story.

And that you would have gone in most nerds like us would have gone in having read the

book and knowing the story and knowing it's coming um so i mention it's a bit different for there

um but i don't know there's a difference isn't there because you know most of the women in bond's

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