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The Important Cinema Club

#214 - Tsai Ming-liang's Rocket Powered Roller Coasters

The Important Cinema Club

Justin Decloux and Will Sloan

Tv & Film

4.7576 Ratings

🗓️ 31 May 2020

⏱️ 38 minutes

🧾️ Download transcript

Summary

We discuss the work of slow cinema auteur Tsai Min-liang's and focus in on GOODBYE DRAGON INN, STRAY DOGS and THE WAYWARD CLOUD. If you have any questions or comments, feel free to drop us a line at importantcinemaclubpodcast@gmail.com On this week's patreon, we discuss A GOOFY MOVIE. Become a Patreon subscriber for $5 a month and get an exclusive episode every week! www.patreon.com/theimportantcinemaclub

Transcript

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0:00.0

Hello, my name's Justin the Clue, and I'm here today with Will Sloan.

0:08.0

And you're listening to The Important Cinema Club. And today, we got a fun one. It's a little bit of a roller coaster, if you will.

0:16.5

We're talking about Tsai Min Liang, the director of straight dog-da-da-da-da-dogs.

0:22.6

Yeah, it's like a roller coaster where the challenge is, like, can you stay on the ride when it's not moving?

0:28.5

Yeah, and you're looking around going, am I supposed to get off? Is this part of the ride?

0:33.5

You were a fan of Tsai Ming Lang, right?

0:35.8

Yes, I was a fan, and after this week, believe it or not, I am even more of a fan of Siaming Lang, although I will say that his movies are not meant to be watched back to back to back.

0:45.7

He's an intimidating filmmaker.

0:47.4

When you talk about slow cinema, he's standing with his arms crossed and a big smile on his face going, I'm the final boss. Come at me.

0:56.2

The thing about his movies is, it's not about how boring they are. Will, you've said things as,

1:03.3

you know, there's different flavors of boring. My issue with his film was sitting down and watching

1:08.9

them is I found it's very difficult to stay awake at times.

1:12.6

Oh, I had that exact same experience this week. These movies definitely benefit from being seen in a theatrical context, you know, when you're in a theater and you can't leave.

1:22.3

I would still fall asleep. Like the screen is gigantic and the sound is all around you and you can kind of become immersed in it.

1:29.6

But certain things are lost at home.

1:32.1

You know, there are distractions.

1:34.4

You are more likely to split it over a couple of nights, which happened to me a few times simply because I would fall asleep watching some of these movies.

1:41.3

So like that sense of momentum can be lost when you're watching that at home.

1:46.4

But there's still plenty to enjoy and appreciate when you watch them at home.

1:50.7

That's the thing that people need to understand when you're approaching this filmmaker,

1:54.6

is that his films are slow, they're very beautiful, they're also opaque,

2:00.6

and the viewer is demanded to project their own interpretation at times.

...

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