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Writing Excuses

21.11: The Cold Open- Action

Writing Excuses

Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler

Business, Careers, Fiction

4.61.4K Ratings

🗓️ 15 March 2026

⏱️ 25 minutes

🧾️ Download transcript

Summary

Sometimes the fastest way to hook a reader is to start with something exploding. In this episode, our hosts dig into the promise — and the pitfalls — of opening with action, and why survival alone is rarely enough to make us care. We explore how voice, worldbuilding, and character stakes must all be doing work beneath the punches and gunfire, especially in prose where readers can’t “see” the cool factor. From The Matrix to hockey rinks to fantasy prologues gone wrong, we look at how action can function as a delivery system for tension, authority, and emotional investment. The goal isn’t just spectacle — it’s giving readers a reason to turn the page. Homework: Choose an action cold open from a movie. Write down everything it’s doing beyond the visible action — how it builds the world, establishes stakes, defines character, and makes you feel. Then rewrite that scene in prose, making those elements explicit on the page. Final WXR Cruise! Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here! Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community! Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out HomeServe and use my code homeserve.com/excuses for a great deal: https://www.homeserve.com * Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.com Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Transcript

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0:00.0

This episode of writing excuses has been brought to you by our listeners, patrons, and friends.

0:05.6

If you would like to learn how to support this podcast, visit www.com.

0:11.8

S.W.w.com slash writing excuses.

0:15.1

Season 21, episode 11.

0:19.3

This is writing excuses.

0:21.9

The cold to open action.

0:24.4

Tools not rules for writers by writers.

0:27.9

I'm Howard.

0:28.6

I'm Dong Juan.

0:29.4

I'm Aaron.

0:30.5

And we're going to talk about starting your story with an action scene.

0:36.9

There are lots and lots of good reasons to do this.

0:41.1

My personal favorite is that a good action opening, a good one for me, demonstrates the

0:51.0

competence of the character you want me to like, and now I'm on board.

0:57.3

And one of the best examples of this, I think, is the Pierce Brosnan Golden Eye James Bond,

1:05.2

where we begin with him bungee jumping on a dam.

1:10.1

And James Bond almost doesn't qualify as a cold open

1:13.7

because it's not cold.

1:15.0

We know we're watching a James Bond movie.

1:17.2

We already know he's competent.

1:19.7

But the reason for me that a cold open is so important,

1:25.1

an action cold open can be so important,

...

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