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The Important Cinema Club

#208 - Agnes Varda's House of Cinema

The Important Cinema Club

Justin Decloux and Will Sloan

Tv & Film

4.7576 Ratings

🗓️ 11 April 2020

⏱️ 35 minutes

🧾️ Download transcript

Summary

We discuss the career of writer/director Agnes Varda and focus on her films Cleo from 5 to 7, One Sings the Other Doesn't and The Beaches of Agnes. On this week's patreon, we discuss Ed Wood's drinking buddy Conrad Brooks and his directorial masterwork Jan-Gel: The Beast from the East. Become a Patreon subscriber for $5 a month and get an exclusive episode every week! www.patreon.com/theimportantcinemaclub If you have any questions or comments that are Godzilla related, feel free to drop us a line at importantcinemaclubpodcast@gmail.com

Transcript

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0:00.0

Hello, my name's Justin the Clue, and I'm here today with Will Sloan, and you're listening

0:09.0

to The Important Cinema Club. And today, we're talking about everybody's favorite, adorkeable

0:15.1

directorial figure, Agnes Varda. Well, you know, she's somebody who became a real brand in her later years, somebody who was

0:22.4

always charming and delightful and, you know, a very tiny person who spread joy and happiness

0:28.9

wherever she went, putting up murals on walls of people with her funny street art companion,

0:36.6

J.R.

0:36.9

Yeah, she was somebody that when you talk about a woman filmmaker, it's like, oh yeah,

0:41.9

Agnes Varda, I love her movies.

0:44.3

It's almost like a pre-packaged thing, right?

0:47.2

There was nothing in her later years threatening when people talked about her,

0:52.1

which is not necessarily the case about her earlier films

0:55.3

because she was always a figure that followed her own passions and made films that were never

1:01.0

aiming to be commercial in the way that some of the other French filmmakers around the time

1:06.4

that she started did. First of all, I should say that this is one of those filmmakers we sometimes

1:10.8

do who has a very big and passionate following and whose work I have only started did. First of all, I should say that this is one of those filmmakers we sometimes do,

1:11.6

who has a very big and passionate following and whose work I have only a casual acquaintanceship with.

1:17.1

So please take my opinions, and maybe Justin's opinions, too, as a work in progress. There's a lot

1:23.0

there I still want to explore. So we basically say that any time we have a woman filmmaker that we tackle. Yeah, what does that say about us? Nothing good, does it? Nope, nothing good. Here's my thing with Agnes Varda. Obviously, undeniably a force for good in the world. When I saw Faces Places, which was a very celebrated movie a few years ago. Everyone found it very wonderful.

1:46.0

I honestly found it a bit annoying.

1:47.2

Why is that, Will?

1:51.4

It sounds like saying that you find puppies annoying or chocolate annoying.

1:58.8

It's such an obviously charming and, you know, Tweed movie about this intergenerational friendship and about spreading joy across the land by, you know,

...

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